Objectivity among artists

Erotica as a genre of art has been very popular for many years now. Painters, photographers, sculptors-artists in general, have their muses and work with extremely beautiful people, paint/photograph nudes etc.

What I've always wondered is how easy/difficult is it for the artist to be objective during this process, do they get attracted towards their models or is it the other way around, what do their spouses/partners think of their jobs, are they secure and trust them completely?
In fact I've heard artists have worked with their daughters, cousins, relatives as models. I must admit, that is a little hard to fathom, a man photographing his adult daughter in the nude, but this does happen...

What got me thinking about this was when I met a man, whose hobby is photography, he clicks women in erotic poses (is in no way physically involved with them though) and his wife doesn't have a clue about all this!!!

I don't personally know such people but hope to hear their point of view. This topic is worth debating upon so give your comments. Hopefully I'll be able to follow up this topic and put up a post after speaking to an artist as well as a model...

P.S: I know women who would never consider marrying an obstetrician and gynecologist as their job involves being in close proximity to you know what. But I've not heard many people debate whether doctors are objective about their job ;).


Posted by Sentimental fool

Annual Festivals in Mumbai

Well I went for the MTDC Elephanta festival last week. It has been happening every year since 1989 (I think). This year it was on for two days. On each day there was a classical dance followed by a classical music performance.

I could not remember the last time I sat in that launch near Gateway of India or went to Elelphanta Caves and though I'm not exactly a classical music fan, I thought why not check it out. Also, I wanted to go see the Elephanta Caves and the fest was just an added attraction.

But what ticked many of us visiting the caves was the fact that nowhere was it mentioned that entry into the caves was allowed only up to 5.30 pm. Now the fest was to begin at 7 pm, so many tourists who reached between 5.30-6 pm did not get to see the caves (I was lucky to be among the last ones allowed inside) which are the main attraction to begin with. I did speak to the organizer about this and even requested him that at least during the fest the caves could be lit up and be open to public for a longer duration or they should've clearly specified the timings on the passes. His reply was that the Archaeological Society of India (ASI) was responsible for the upkeep of the caves and that MTDC could not do anything about it. Well the same old bureaucratic problems... In fact an irate foreigner yelled at him and many foreign tourists as well as natives were disappointed by this fact.

Thankfully the performances were good. There was an Odissi dance first followed by a Hindustani classical vocal performance, but it was really long so I had to leave mid way. All in all a good experience.

Btw, now Mumbai has many annual festivals-Mumbai Festival, Kala Ghoda Art Festival, the Kitab Festival, Elephanta Festival among some others. This is a welcome change, hope such events continue as they provide a variety of entertainment apart from the usual movies, night clubs, restaurants etc. But I really wonder if tourists plan their vacations such that they can be in Mumbai for such fests...

P.S: Happy Holi


Posted by Sentimental fool

Stereotypes in advertising

Off late advertisements of an anti wrinkle cream have been all over the place, on television as well as print and the punch line is that “I got my yesterday’s husband back”.

I’ve nothing against any cosmetic product but I am against the manner in which they’re advertised. From fairness creams and acne treatment creams for teenagers/young girls to anti aging products for middle aged women, the advertisements always focus on the bottom line that “use the product and you will get the desired male attention”. This reflects the society we live in as such ads work and after all the advertisement agency wants to make money, not lecture people or break the gender stereotype. But is being beautiful all about attracting male attention? Is getting a man the center of every girl/woman’s existence? I don’t think so.

Maintaining good health, radiant skin etc etc is something one should do for oneself first. Not for any other person or event as then the results invariably will be short lived and such girls more often than not have some self esteem issues.

It’s difficult to bring about a change in the mind set of the majority but it has got to start somewhere. If the mother doesn’t ask her dark skinned daughter to use a fairness cream or raise her with the notion that only fair people are beautiful, chances are she will not succumb to pressures later on in life. Also, more often than it is women who discriminate against other women on the basis of their external appearance and pass nasty remarks. This has got to change. In USA, Dove has started using “ordinary women/girls” in their advertisements and is working towards breaking the “pretty girl stereotype”.

Hopefully, some Indian companies too will start working in that direction…

P.S: Well my holidays ended and I’ve not been able to manage my time well since I’ve gotten back to work. Hence I’ve not put up a post in a long time…

Btw, I saw Eklavya last week but didn’t write a review as, well, it was way below my expectations. The saving grace was Saif Ali Khan and the fact that the movie was barely 2 hours long.

Posted by Sentimental fool

52nd Fair One Filmfare Awards, 2006 - What a FARCE !

I read today’s (08.02.07) Mumbai Mirror and found that the nominations for the Fair One Filmfare Awards are out, and well … I am very saddened by this year’s nominations (Although my opinion on the nominations matters to Fair One & Filmfare as much as Rakhi Sawant’s opinion on the Nuclear Non-Proliferation Treaty matters to Mr.Bush, but anyways.)

Here are my two bits (actually, much more) on this year’s nominations.

Best Movie

Dhoom:2 (what !)
Don (Why ?)
KANK (No Comments)
Lage Raho Munnabhai
Rang De Basanti

Comments:

Is it necessary to nominate all SRK Movies ?
KanK is hardly “best movie material” & Don’s a remake, neither critically nor popularly appreciated.
Dhoom:2 is no script, all action. Nominating it lowers the already rock bottom credibility of the Filmfare awards.

My Top 5

Lage Raho Munnabhai
RDB
Krrish / Zinda
Omkara
Dor / Khosla ka Ghosla

My Choice: Rang De Basanti, hands down.

Who the Jury will award: Lage Raho Munnabhai.

Best Director:

Karan Johar – KanK
Rakesh Roshan – Krrish
Rakeyh Omprakash Mehra – RDB
Rajkumar Hirani – Lage Raho..
Sanjay Gadhvi – Dhoom:2
Vishal Bhardwaj – Omkara

Comments:

Krrish & Dhoom:2 should not be nominated because in a film with high quotient of SFX, a director’s job is minimal.

Kank does not deserve a Best Director Nomination at all. What direction was involved in it ?

Other Options

Nagesh Kukunoor – Dor

Sanjay Gupta – Zinda would’ve been a good choice. Maybe the deterrent would be that Zinda is not original. It’s an exact copy of Oldboy (Turkey)

My Choice: Rakeyh Omprakash Mehra

Who the Jury will award: Rakeyh Omprakash Mehra

Best Actor in Leading Role (Male)

Aamir Khan (RDB)
Hrithik Roshan (Dhoom:2)
Hrithik Roshan (Krrish)
Sanjay Dutt (Lage Raho..)
SRK (Don)
SRK (KanK)

Comments:

Does SRK have to be nominated for all th mocies he does. Last year (or maybe the year before that) too, he was nominated for all the 3 movies he had done during the year – Paheli, Main Hoon Na, Swades.

His performances hardly deserve a nomination. Even his die hard fans loved his acting in Kank. C’mon !!

Hrithik in Dhoom just had to look good, no acting involved.

Lage Raho.. was an out & out Arshad Warsi movie. Dutt had hardly anything to do.

Aamir acted well, but RDB had everyone in almost equal length roles, so he can’t be said to be the LEADING Actor.

Options

Maybe Rahul Bose for Pyaar ke Side Effects.
Sanjay Dutt – Zinda

My Choice: None. If I had to, I would pick Aamir or Hrithik
Who the Jury will award: SRK - Don or Sanjay Dutt – Lage Raho..(equal chances)

Best Actor in a Leading Role (Female):
Aishwarya Rai – Dhoom: 2 ( Officially, the worst nomination in History !!)
Bipasha Basu – Corporate
Kajol – Fanaa
Kareena Kapoor --Omkara
Rani Mukerji – KanK

Comments:

Ash !!!. The lesser said about her acting, the better. The bar has never been lower. She was plastic in the movie. Bad dialogue delivery, bad acting, no expressions. Very Irritating. And, the kiss wasn’t great!

Kareena had nothing to do in Omkara. An article by Mr. S.K. Jha in Bombay Times said that Kareena’s silences spoke in Omkara & her eyes conveyed a range of emotions.
ALlL Bull ! Does not work for me !

BIG “MISS” OUT:

Ayesha Takia for Dor. My winner, all the way. The lady was simply superb in the movie. She acted better than the 5 nomintaed above.

Mallika Sherawat could’ve been nominated for Pyaar ke Side Effects. She was quite good. Atleast better than a Rani in KanK.

(All actresses in all movies were better than Ash in Dhoom)

My choice: Kajol
Who the Jury Will Award: Bipasha or Kajol (Bipasha has a higher chance)

Best Actor in Supporting Role (Male):

Amitabh, Abhishek – KanK
John Abraham – Baabul (!!!!)
Kunal Kapoor, Siddharth – RDB

Comments:

Why John ?

My Choice: Amitabh Bachchan, Siddharth

AB, because I have a soft corner for him. He was fantastic in KanK. Only he could carry it off at the age of 64. And his dialogue – “Dude, any message for mom?” I’ll never forget it.

Who the Jury will Award: Abhishek Bachchan or Siddharth (Abhi has a higher chance, sadly. Siddharth deserves it)

Best Actor in a Supporting Role (Female):

Kirron Kher – RDB (WHY ? She had about 5-6 scenes. Hardly noteworthy!)
Konkona Sen Sharma – Omkara
Preity Zinta – KanK
Rekha – Krrish (Unnecessary)
Soha Ali Khan – RDB

Miss Out:

Gul Panag - Dor

My Choice: Konkona Sen Sharma
Who the Jury will award: Preity Zinta. Konkona might just spring a surprise here. She sure deserves to win.

Best Actor in Comic Role:

I won’t mention all the nominees here.

Shreyas Talpade should’ve been nominated for Dor.
Anupam Kher/ Boman Irani could’ve beeb nominated for Khosla ka Ghosla.
Ranvir Sheorey deserved a nomination for Pyaar ke Side Effects.

My Choice & Jury’s Choice: Arshad Warsi – Lage Raho Munnabhai.

He was the lead actor, almost. He carried the full movie on his shoulders. Dutt just had the Title Role.

Best Actor in Negative Role:

I am very happy that John Abraham was nominated for Zinda.

My Choice & Jury’s Choice: Saif Ali Khan – Omkara

Best Music will go to A.R. Rahman for Rang De Basanti

Best Lyrics will go to Prasoon Joshi for “Rubaroo” (RDB). Though he might win it for “Chand Sifarish” (Fanaa)

Best Playback (Male) – Atif Aslam (Tere bin… Bas Ek Pal) or Zubin (Ya Ali)

Best Playback (Female) – Sunidhi Chauhan (Beedi Jalaile… Omkara)

Well, that was that.

So, we notice that:

1. Due respect was given to Karan Johar & the cast of KanK for giving us one of the most over hyped & under-delivering movies of the year. The movie, the director & the FULL cast has been given a nomination. (except Kirron Kher, but wait… she has one for Rang De Basanti for a role as long as Akshaye Khanna’s hair!)
2. The Chopra’s were kept happy by nominated Dhoom:2 for best movie & best director
3. SRK was nominated for both his movies in a year which even his fans will agree was not good for him as far as acting is concerned. Yes, both his movies made crores of rupees, but he hasn’t acted well in them.

These awards are not a forum of recognizing, appreciating & boosting talent. They are just a big get together where the egoes of the STARS are massaged & given a boost.

Small, but great movies like Khosla ka Ghosla, Dor, Gangster, Pyaar Ke Side Effects, Zinda have been given the cold shoulder.

Compare it with other countries’ award ceremonies like the SAG awards, The Golden Globes, The BAFTA & the Oscars. These awards matter to the Film Making community as they recognize talent, and not star power.

These year's nominations have been the most disappointing in the last few years.

Anyways, lets see how many of my predictions are on the spot.

Going back to the Sabbatical.....

Fleeced by a rickshaw driver

A few days ago I was getting back home in a rickshaw (I live in the suburbs in Bombay), well when I reached my building and was paying the driver, I realised I didn’t have enough change. The fare was Rs 35 and I gave him a Rs 50 note. He started with the usual please give Rs 5 change which I didn’t have. So I asked him to hang on for a bit and went to ask my building watchman. I had barely turned my back and he drove off. Well it was my mistake that I didn’t take the Rs 50 note back from him before taking off on the change hunting spree which was barely 10 feet away!

This is the second time this has happened to me. I obviously feel fleeced but at times wonder if it was my mistake as well. Maybe I should’ve known better and carried change with me or taken the money back before asking someone else for change. As it is there are exposes in newspapers which show that rickshaw drivers tamper with meters and I can vouch for a fact from personal experience that some drivers purposely slow down while approaching a signal so they can wait for a little longer to increase the tariff.

I guess there are a few pro-active citizens who note down the license number of the offender and complain to the RTO, but majority just let it go. I must add that I belong to the “I will crib about it and let go” section.

Thankfully the Mumbai rickshaws are better than those in Delhi where they often don’t follow a meter but the journey fare is decided/negotiated before the start of the journey. Then again, all public rickshaw/taxi drivers are not evil but one can’t help getting angry when they resort to such tactics…

Posted by Sentimental Fool

Rural India 2007

I’ve lived my entire life in Bombay/Mumbai and I’m quite “spoilt” with the comforts of urban living. For the record, I’ve lived in a village a few times (maximum time spent being 5 days) and also gone camping and roughed it out a couple of times in the 22 odd years of my existence, so I’m not exactly daddy’s little princess. But after my recent visit to my mother’s native place I’m appalled by the difficulties people have to put up with in rural India.

My mother’s family of origin has their ancestral home in a village in north Gujarat which is about 130 km away from Ahmedabad. This village has a population of about 2000 (1200 registered voters is what one my relatives told me), only has a primary school, a panchayat house, a temple and I’m not sure about how the postal system there works. There is no primary health care centre, no high school or college, no retail shop. Well there is electricity all day (power cuts are frequent though) but currently the water comes only for 30-60 minutes every alternate day that too at 5 am in the morning!!! This is when the predominant occupation of the people there is agriculture, I wonder where is the water for irrigation. One can move around the residential part of the village (excluding the farmlands) only by foot, maybe a two wheeler can go on a few of the lanes. The plumbing and drainage system there is just about functional. Most of the houses are only about 150-200 square feet in size. The silver lining (at least for me) is that I did see set top boxes and dish antennae so at least they have television and radio for entertainment.

Now I’ve nothing against the simple life but I believe that water, electricity, sanitation and health care is the minimum that the government should provide. After all we’re a socialist sovereign. What happened to the promises of “bijli, pani, sadak”? In fact, last year during the heavy rains in Gujarat, many of the natives of the village suffered from Chikungunya and they had to travel to the nearest town to seek medical help due to absence of a health care centre.

People tend to romanticize the simple rural life and say that city bred people are spoilt or haven’t seen the “real deal”. My maternal grandparents love that place and spend about a month there every year. So they tend to paint a very rosy picture, after all they were born and brought up there. My grand father did try and explain that I just have a mental block and that there are no major difficulties in living there and my grand mother who knows very little English was trying to convince me that my trip there is like a picnic. But I just get very bored there and the moment I leave from home to start my journey, I’m just counting hours/days waiting for it all to end.

Also, the fact that we don’t have basic amenities in many parts of India is nothing to be proud of (Yes I know, even a mega city like Bombay has its share of water problems). I guess I’m thinking more about this today as its municipality election day in Bombay.

On a lighter note, I’ve visited this village 5 times till now and I do have some nice memories as well. I remember when I was about 6-7 years old and went there, everyone was shocked to see a girl wearing shorts (it was summer) and my mother did have to answer some uncomfortable questions. I’m assuming with the advent of satellite television, people may not be so shocked today and there were no stares this time around when I was the only adult female wearing jeans there. But my mother did have to answer questions about my prospective marriage which thankfully is not even under consideration at home. In fact one of my second cousins (my age) with whom I played with when I went there as a child is now married with a 3 year old baby. Some things never change.

P.S.: Since Water, a movie about the plight of widows, has been nominated for an Oscar award, I must add that even in 2007 my maternal grand mother considers a widow to be unlucky. On our way out of the house, a widow crossed our path, so she went back inside and started out again. This is sad but true and there was no way I could convince her that her behaviour was discriminatory.

Posted by Sentimental Fool.

About the guest writer

Mihir has already put up a post saying that he's on a sabbatical from blogging and that he'll have a proxy filling in for him. So I thought I'd tell the readers a little about me.
First of all, he did not go on all fours and plead, it was more like "you better fill in for me or else..."
Also, I'm not an eminent writer.
As for the pseudonym (Sentimental Fool), its to help protect his reputation as I'm sure his cool qoutient would dip if his esteemed readers knew he associated with me.

Anyway, my interests include art, photography, music, movies but my day job is unfortunately the complete opposite of my interests.
Will try and post regularly and please give your comments, suggestions, criticism; will use all the feedback to improve my future posts.

Posted by Sentimental Fool

Salaam-e-Ishq: This love is a really long problem

Well, I saw Salaam-e-Ishq last night and here’s my take on it. Yes, this is one more to the list of many reviews out there but since I’m a guest writer on Mihir’s blog, I thought I’d start with a topic he loves: movies.

The positive: Production is good, everybody is well dressed and looks great and the sets too are well designed. I guess after having worked with Karan Johar, the extravagance would definitely show. But instead of Manish Malhotra, we have Vikram Phadnis doing the honours in this movie.

Though everyone has little acting to do (well they all are busy dancing in the looong songs), each one of them has played their part quite well. Casting is good and Govinda is thankfully back to acting instead of governing. Really liked Ayesha Takia and Akshaye Khanna.

The negative: Did the movie have an editor??? The movie is about 3 hours, 45 minutes long. Each song is too long; even if they’re good and help take the story forward (I’m not 100 % convinced about that though), they were more like bathroom/answer my cell phone breaks for many members of the audience.

The Sohail Khan-Isha Koppikar story serves no purpose and doesn’t even fit into the otherwise urban set up of the movie.

The background plot connecting the 6 stories together is not impressive. The individual stories may be good but when they come together, one does not get a great story where everything falls into place. After seeing movies like Love actually, Crash, Babel in which different stories are connected in a fantastic manner, I was not at all impressed.

Final Verdict: The movie is just too long and not justifiably. Towards the end, I just wanted the movie to get over, didn’t care if the story resolves well. It is not a must see unless you’re a die hard fan of the ensemble cast.

P.S: This movie has definitely taken placement advertising as far as possible and must’ve made a lot of money from Ira and TIMES NOW.

P.P.S: As racism is the current flavour (thanks to Celebrity Big Brother UK), I must add that the fact that all Raju taxiwalla wants is to fall in love with a white woman shows how many so called "browns" think that the "whites" are higher/better. I was not happy with this aspect of the story...

Posted by Sentimental Fool. Do give your suggestions, criticism, comments.

I'LL BE BACK !!!!

Hey, I’ve got some good news & some bad news.

The good news is that all you readers (if any) will be tortured no more by my rubbish posts. I am going on a sabbatical – 4 months long. Lucky you!!

But, my blog was so critically appreciated that I’ve got an eminent writer to write for me in my absence. ( This is just a good way of saying that I had to go down on all fours, beg n plead her to write for me)

Anyways, she’ll be writing under an acquired name, pseudonym, if you will & no one will know her true identity. ( She said it’ll negatively affect her reputation if known to be associated with this blog)

So, readers – keep coming back - because this person writes well & will write more frequently than I ever managed to. Adios.

Now the bad news. I’ll be back !!!

Schumi's last, a first for the girls.

There’s a reason why girls, historically & traditionally, are not known to be sports lovers.

A girl, or to be more precise in the given context, an Indian girl watching F1, golf, tennis is as misplaced as a mickey mouse tattoo on a 27 inch bicep !

Cricket (in India) & football are the only 2 sports that have broken the Female viewership barrier. (Football, mainly because of its drool value!!)

Ok, here goes.

The setting: Diwali night, 00:00 hours ISD, 4 girls, 5 guys, 1 room, 1 television set & Schumi’s last race – ever.

The race status: 15 laps to go. Alonso’s out in front, Schumi’s 7 th. Result’s a foregone conclusion. We are in it for the emotional value.

The conversation:

Guy 1 (Me): C’mon Schumi !!
Girl 1: Hey, Schumi means Schumacher, na ?
Guy 2: You got it !!
Girl 3: Which one is Schumi ?
Guy 1: Wait . . . . That one in red just turning round the bend … see ?
Girl 1: How many people are racing ?
Guy 1: 20 – 10 teams of 2 each.
Girl 1: wow !! you know so much . . .

Thankfully, she stays mum for the next half an hour, maybe sensing my irritation.

Girl 2: Hey, how do you know the number of laps remaining?
Guy 4: Einstein, it’s written on the screen at the bottom !
Girl 2: If it wasn’t written, then how would you know? All laps look the same. How can you say for sure that they are not showing the same lap over & over again ?!!

@#**^%%!!## Now why would anyone do such a thing? Why don’t they think before asking such questions. . . .

Schumi overtaking Nick Heidfeld stopped me from giving her some of my juiciest profane words.

All Guys: Yeah Schumi !!

Girl 3: He’s so mean. He pushed that other guy on the grass. Rude !!

Now, all of us guys started ignoring the comments & questions.

Girl 4: (suddenly) Hey, I want to see their faces.
Guy 1: hmm, ok. Let me call Bernie. He’ll do the necessary.
Girl 4: Who’s he ?
Guy 1 & 2: Never mind !!

The last few laps had the guys cheering & the girls . . well, on to another topic.

Schumi finished 5 th. Alonso & Renault won.

Girl 3: hey, who’s he standing on the podium?
Guy 1: he’s Kimi Raikonnen. He’s moving to Ferrari next season.
Girl 3: He’s so….. cute !!! When’s the next race?

Plane & Simple

Last week, 646 aircrafts landed/took-off from Mumbai International Airport in 24 hours. It’s a high, considering that only 4 months back, the air traffic movement hovered around 600. For India, it’s a big enough figure to go trumpet around. But put Mumbai Airport alongside international biggies like Heathrow or Hartsfield Atlanta & the comparisons turn embarrassing !

Passenger air traffic in India is so low that civil aviation minister Mr. Praful Patel has made it his favourite “putting in perspective” line. On more than one acassions, he has been heard saying. “Our country of 1.1 billion (yes ! !) has only 10 million flyers. If 100 million flew each year, we would need 2000 aircrafts.” All our commercial airlines together have a fleet of arount 270 aircrafts. In comparison, US’ one Airline – Southwest Airlines has a fleet of 468 birds ! !


Moving on – in terms of area, if the world’s biggest airports are as large as a cricket ground, Mumbai Airport would be used to play Pool ! !
In the top slot, by far, is the King Khalid International Airport, Riyadh – it covers 81 square miles. Denver International Airport at 53 sq. miles follows. Mumbai Airport measures 2.81 sq. miles – slums included. Remove the encroachments, and we are left with just 1.5 sq. miles of operational area.


Astonished ? Surprised ? Here’s more.

As for passenger traffic, Mumbai handled 17.4 million passengers from January to October. Hartsfield-Jackson, Atlanta handled 24.01 million only in 4 months from January 2006.

As we are comparing airport statistics and not the number of passengers who land/take-off from a city, it should be mentioned that Mumbai airport’s statistics speak for the city. Mumbai is perhaps the only big city – big in terms of population – that manages with 1 airport. New York has 3 – Kennedy, La Guardia & Newark. London beats it with 5 – Heathrow, Gatwick, Stansted, London City & Luton. Even the space starved Tokyo has Haneda & Narita.

We sure have a long way to fly before we can get anywhere near.


Thought for the Day

On a date, the guy always wonders whether he’ll get lucky that night. The girl already knows.

55 X 2 =

hey, i have another 55 word story done.
you can read it on www.55-words.blogspot.com

look for my name - "Mihir Kamdar" & click on it.

Also read the two stories under the name "R.E.F.L.E.C.T.I.O.N.S" ...
Not mine, but definitely a good (maybe better) read ..

so, read away....

My Dad, Superman .

"My Daddy Strongest", went an ad slogan a few years back. It had a cute little girl mouthing those words.

Like that girl, my dad is a has been & is a role model and much more for me.
He is everything i want to be. he is my Superman.

I have grown up seeing my dad work very hard throughout his life.
He does not like to rest on weekends. He remains physically active, much to the ire of my mom who prefers to rest. Dad's constantly doing something - repairing stuff, tinkering with various items in the house, dusting, or just plain moving around (he cant sit still ! ! )

He's almost 49 now. And NOW he gets tired. Often. He has some age related problems - cholestrol, Blood Pressure etc.
He still pulls my mom for weekend drives & mall-hopping stints, but returns home extremely tired & often with a headache.

He even sleeps on weekend afternoons sometimes (an unheard of thing in my house. i've taken up that habit of not sleeping in the afternoons).

All this is normal - YES - with age. But I just can't accept my Superman getting old.
I want him to be the same as earlier. It pains me to see him grow old, tired & down with any sort of ailment.

As a son, i don't want this to happen.

The trend will soon reverse (or, is in the process of reversing gradually) - it was him taking care of me, nurturing me. Now, i ll have to take up that role.

I hope i can emulate him in all that he did
Many sons want to go beyond what their father was, what their father achieved.
I don't. Apart from the fact that it's very difficult to - I always want to live in his shadow.

After all, it's the shadow of SUPERMAN ! !

Someone . . . .

The FIRST time I saw HER – I was smitten. She was pretty, exotic, beautiful, so damn well-proportioned & she had “fantastic” written all over her. She had everything in her that I always looked for. EVERYTHING.
I wanted her. Period. Anyhow.

But, I just did not have the courage to go ahead. For weeks, I used to intentionally pass by her daily. I stopped & stared unabashedly at her beauty every time. I soon realized that I wasn’t the only one who had fallen for her. I had competition – fierce competition. Ther were many vying for her attention.

I soon realized I’ll have to move fast. I took it to the next level – no I still didn’t go to her – I spoke to my parents about her. I even showed them her photograph – YES!! I had somehow managed to get her photograph. She looked so stunning in the photograph – yet it was but a mere shadow in comparison to the real her.

I finally took dad to see her. He kinda liked her too. I was relieved. I sensed my wait coming to an end. Dad spoke to her guardian. I had my fingers crossed.

Finally – it was all over. Dad was good at these things.

People sometimes wait for what seems a lifetime for such a time in their lives. My wait had ended.

On the first day of the Hindu New Year, we brought her home.
Our 40 inch Sony LCD Television. Hell Yeah ! !

Panchavan, Pachpann, Fifty-Five

55 is the name of the game.

OK, here's the deal.There's this blog named "55 Word Fiction".

It is a "collection of 55 word stories" by various (mostly Indian) bloggers.

I came across the blog & took up the (supposed) challenge to write a 55 word story.I managed (somehow) to write one & submitted it to the owner of the blog, mysteriously named GamesMaster.

He accepted my story & you can read it by clicking on this link http://55-words.blogspot.com/2006/10/mihir-kamdar.html or by going to http://www.55-words.blogspot.com/ & clicking on my Name.


so, click away...

Celebration means . . . .

Celebration means......

A winter evening.
Four friends.
One barsaat.
Four glasses of chai.

(OR)

Hundred bucks of gas.
A rusty old bike.
And an open road.

(OR)

Rainy evening.
Holding hands with a loved one.
2 steaming corn cobs.
A long road ......

(OR)

Maggi noodles.
A hostel room.
3.25 a.m.

(OR)

A muddy field.
22 guys.
1 football
Game On ! !

(OR)

3 old friends.
3 separate cities.
3 coffee mugs.
1 internet messenger.

(OR)

2 a.m.
Sitting on your window ledge.
Free outgoing on your cell phone.

(OR)

Rain on a hot tin roof.
Pakoras deep-frying.
Neighbours dropping in.
A party.

(OR)

You and mom.
A summer night.
A bottle of coconut oil.
A head massage.
Gossiping about all family members.


You can spend hundreds on birthdays, thousands on festivals, lakhs on weddings,but to celebrate all you have to do is spend your Time.


Thought for the day:
"Whoever said nothing was impossible never tried slamming a revolving door."

Bollywood Classroom - IV. The Finale

You've got the basic ingredients of a formula blockbuster .. These are just the "fillers" - the side characters, supporting characters - the characters on screen when the ones described earlier are not saying their "usual dialogues" (also mentioned in earlier posts)



VILLAIN

Undoubtedly, the villain has the most fun. He nearly gets close to rape the heroine & beats the hero, & kidnap his family in the climax. Sometimes he gets the chance to kill them too !!!


Itni achi cheez bhagwaan ke liye chod doon. Kabhi nahin

Ab Saare Hindustan par hamara raaz hoga

Batao faarmoola kahan hay?

Tumhari maa hamare kabze main hai

Kahan jaa rahi ho chhamak chhalon

In gori gori kalaiyon ko kaam karne ki kya zaroorat hai

Yahan teri izzat bachane koi nahi ayega

Yahan teri cheekh sunne walah koi nahin

Bula tere bhagwan ko-- dekhta hoon kaun ata hai?

Kis maai ke laal mein itni himmat hai jo mujhse takrayega ?

Gaddari ki ek hi sazaa hoti hai, maut

Uski koi kamzori hogi, koi maa ya behan?




VILLAINS SIDEKICK's

The villain's cronies normally have quite a raw deal. They seldom get the better women to molest, and even when they do, they have to make do with sharing one among at least ten. They are always hammered by the hero and his sidekick, and return to further hammering from their 'boss' the villain. They are normally dark skinned (!) have moles, beards and wear handkerchiefs around their necks.

Boss, Maine tumhara namak khaya hain

Boss! Maal pakda gaya.

Tumhe Boss ne bulaya hain

Ok Boss





DOCTORS

Doctors in Hindi films are of two kinds, the first is the family/ neighbourhood/ fairy-tale doctor who arrives in slums on rainy midnights to announce high fever and death,
and the second is the 'expensive-beyond-lawful-means' doctor who delivers babies, cures near-death cases and drives all his billpayers to crime.

Mujh par bharosa rakhiye

I am sorry

Iska to bahot khoon bahey chooka hai. Phoren operation karna padega.

Bhagwan ne chaha to sab thik hoga.

Badhai ho, tum baap bannay waalay ho

Iski haalat bahot najook hai

Tumhe sakt aaram ki jaroorat hai

Jaldi se woh dawayee lao.

Ab sabh kuch oopar waley ke haath mein hain

Ab main kuch bhi nahin kar sakta.

Bacche ko to hum ney bacha liya par maa...




THE LAW

Contrary to popular belief, there is in fact a concept of law and order in Hindi films. Upholders of the law in Hindi films are of two kinds, the police and the judiciary, quite as it is
in real life. The police pick up thugs and the judges let them off

Order..Order..

Kanoon Ko apney haath mein mat lo

Kanoon jazbaat nahi, saboot dekhti hai

Kanoon ko saboot chahiye

Tazeerat-e-hind , dafa 302 ke tahat, mulzim ko maut ki saza sunai jaati hai

Mulzim ko Baa izzat bari kiya jata hai

Milord..



If you are aspiring to strike a career in the Bollywood, be it a director, script writer or even penning dialogues, these posts will be very helpful to you for it contains the scenes and dialogues which every film has and you cannot afford to miss it !!

Some of the here may be rather sexist, chauvinistic, supercilious, vapid, racist, tasteless, offensive and emotionally backward, but I have to be slightly sober for censorship reasons and cannot show Hindi films in their full crowning glory.

So, go ... make your movie, write your script, insure yourself against all the losses.


Thought for the day
Why are you trying so hard to fit in when you were born to stand out?

Bollywood Classroom - III

Wanna make your own movie ?
Follow my class & you'll be adept at adopting the bollywood "faarmoola". Here's another session

HERO'S SISTER

The hero's sister invariably has her modesty outraged. She seldom lasts beyond a few scenes and in rarest cases lives to see the end of the film. If there is ever a poignant scene highlighting the brother-sister relationship, it is a clear indicator of the sister's soon to follow death.

Most said dialogues by sisters
Mein tumhare bachhe ki maa ban ne wali hoon (mostly to the villain, or the villain's son, brother)

Mere bhaiya ko lambi umar dena, bhagwan

Mere bhai pe koi aanch na aye

Khabardar jo mujhe chhua bhi, main apni jaan dey doongi (death occurs most deifinitely 5 minutes after this scene. Mostly a suicide after attempted/successful rape by villain or his cronies)

Bhaiyya, tum mere liye ek pyaari si bhabhi kab laaonge

Main kissi ko muh dikhane layak nahi rahi

Bhagwaan ke liye, meri suhaag mat ujaado

Chhod do mujhe, bhagwaan ke liye chhod do






HERO / HEROINE's FATHER

The father is normally a symbol of outright pathos, either cringing to the worldly demands of having unmarried daughters or the burden of having a violent son with little ambition beyond rotating around trees. If the father is an honest, upright citizen - he is shot in the first few frames by the villain who has little use for his moralities

Common dialogues
Ghar mein do javaan betiyan hain

Agar toonay aisa kiya toh - mujhse burra koi nahin hogaaa

Ek baar iske haath pile kar doon, phir mein chain se mar sakta hoon

Is ghar ke darwaaze, tumhare liye hamesha ke liye band hein

Beti to paraya dhan hai.

Mere jeeteji yeh shaadi nahin ho sakti.

Main jald hi dahez ki sari rakam chuka doonga

Yeh aap kya kah rahen hai, bhai sahib

Ab hum kisi ko muh dikhane ke layak nahin rahe

Kya isi din ke liye tujhe paida kiya tha ?

Main kahta hoon, Door ho jaa meri nazron sey




MOTHER

Any widow in a Hindi film is a mother. Anyone marrying a character actor in the beginning of the film and bearing two children is sure to be widowed. The sons thereafter are likely to grow up to be the main protagonists. Sewing machine is her favourite timepass tool and she will
always make halwa for her son.

Common dialogues
Mera Raja beta

Mera ashirwad sada tere saath hai.

Tujhe ek maa ki aah lagegi

Mera beta aisa kabhi nahin kar sakta.

Mera beta teri maut bankar aayega, thakur!

Ek baar mujhe maa keh kar pukaro beta...

Mere bete ki raksha karna prabhu

Kya apni maa ki baat nahi maanega?

Mera achha beta, jaldi se dudh peekar bada ho jaa.

Is budhi maa ka tumhare siwa aur kaun hai?

Mere Raja bete ko aaj mein apne haaton se khilaaongi

Hey bhagwan, mere suhaag ki raksha karna

Maine tere liye gajar ka halwa banaya hai

Maine tumhe paal pos kar bada kiya..

Mar, Mar isse betay, isse ne tere Devata jaise pita ka khoon kiya




MOTHER-IN-LAW

The most nasal voice in the cast belongs to the mother-in-law. She has usually got a dead husband, or one who gives 'henpecked' new dimensions. She specialises in kicking the heroine / hero's sister / bhabhi while she is sweeping the floor. She seldom dies, but always gets her come-uppance in the end when her husband, after years of ayurveda and yoga regains his lost vitality, insults her in public and forces her into submission.

Common dialogues
Chudeil! Kide pade tere .....

Tere baap ke bheje huey iss sari ka too kya karegi. Chal, mujhe dey

Ey Chudail, ab kaha se mooh kala karke aayee hain?

Aah Haa Haa, Maharani, waha baithey baithey kya kar rahi hain

Arri Kalmoohi, Kaha mar gayi

Eh Kulta, tere baap ne ab tak dahej ki rakam nahin chukayi


The last session will cover villains, doctors & the law among other things.
Watch this space ! !


Thought for the day:
Sometimes i wish that i had never met you, so i could go to sleep at night not knowing there was someone like you out there. (for someone special !)

Live ... Today.

One man after having lost all his wealth prayed to God and got a boon that from dawn to dusk on the following day, whatever land he covers by running, can be owned by him.

The man started running at dawn & kept running even after he had covered more than he lost. He refused to heed his body’s pleas for rest & food. By evening he felt dizzy and weak.
In the distance he saw a river flowing. He was very happy at the thought of owning a river. So he decided to stop running once he reaches the river. Just as the sun was about to set, he reached the river.

As soon as he bent down to sip some water – his first drops of water of the day – he dropped dead of exhaustion.

“Spiritual Quotient” in Economic Times dated September 14, 2006 say that this is how we lead our lives. We run the race without even stopping to think why we are running. We travel thinking “what next” all the time. It further goes on to say that we will run till we drop dead in our grave.

Traveling from more to more is only traveling towards our grave. It is slow death. It can never be life.

It is possible to satisfy our needs, but it becomes impossible to satisfy our wants. Every time one want is fulfilled, another many come up. Always, as long as we are chasing something, it seems that it is worth the whole world. But after we get it, somehow it is not that important any longer. Think about it. It’ll stand true in almost all circumstances.

So, never think – “let me work now, I can enjoy later”. I tell you, it will never happen.

Every Tomorrow comes in the form of Today only.

So, don’t postpone living. Celebrate – its NOW or NEVER.

P.S. Of course, the last few line do not apply to everyone studying for Chartered Accountancy examinations. You all better postpone "living" – otherwise life will become a living HELL. HA !



Thought for the day:

Sex is NOT the answer. Sex is the question. YES ! is the answer.

Bollywood Classroom - II

Hello readers. We continue with our Bollywood Classroom.
Those who have started reading now are advised to read the post below.

Ok, then. Hop on the Fun Ride.

THE HERO

The Hero is the person who gets the woman in the end and kills everyone with moles on their faces. The hero shaves, drinks, drives, gesticulates and picks several fights. He normally has a mother who seldom has a lover. He may have a moustache, but never has a beard, unless he is in disguise or utter poverty. He delivers his lines with minimum style, and except for those lines in which he grimaces, he is totally stone-faced. If the hero has a comic side to him, he says very little of consequence in the entire film and does not die in the end.

Common dialogues mouthed by HEROES include :

Tere saamne teri maut khadi hai

Kuttay !!

Tumhare liye meri jaan bhi haazir hai

Mere paas meri mari maa ka ashirwad hai.

Apne Aaadmiyon se kaho ki bandookein phhek de

Dunyaki koi takat hame juda nahi kar sakti

Mere hotey huay tumhara koi baal bhi baaka nahin kar sakta

Yeh meri maa keh Kangan hai

Maa, mujhe Ashirwad de

Khabardaar joe Usse haat bhee lagaya

Tumne apni ma ka dudh piya hai to ...

Maa main first class first pass ho gaya hu....

Mere paas maa hai !

Nahin . . tu mera bhai nahi ho sakta. Tune maa ka dil dukhaaya hai . .



THE HEROINE

The heroine is the stupidest of all Hindi film characters. She normally settles for a man with no class, and even lesser money. She is usually a lot younger and seriously better looking than the hero, even when the hero is the kind whose insipid persona leaves nothing but the looks to matter. Her father is either ridiculously rich or pathetically poor. Any heroine who starts the film in short skirts ends it in sarees. One who doesn't is the vamp.

Common dialogues include :

Bhagwan ke liye mujhe chod do

Hato. Tum bade woh ho

Naheen!

Mein tumhare bagair nahin reh sakti

Paapa, main sirf usi se shaadi karrongi jise main pasand karti hoon

Maa ne tumhe ghar bulaya hai

Main usse pyar karti hoon

Humne pyar kiya hai koi gunah nahin

Kuchh goonde mere pichhe pade hai

Baar baar mera pichha kyon karte ho

Koi Dekh Lega

Maine tumhe kya samjha, aur tum kya nikley!

psshhh psshh gusshhh (whispering in the HERO's ears - stands for "im pregnant")

Oh... how i loved these movies ... Fanatstic dialogues.

End of this session.
More to follow in the coming sessions.

Thought for the day

We walk away from our dreams afraid we may fail, or worse yet, afraid we may succeed.